These three pop punk tropes are examples of why pop punk can be the greatest genre or the absolute worse. Tropes #1 and #3 aren’t so much troublesome as they are tired; it’s #2 that is the problem child. This is where pop punk straddles the line of being charming & romantic and creepy & sexist. You show me Jawbreaker’s “Want” and I’ll flash Screeching Weasel’s “I Don’t Wanna Be Friends.”
A few months ago some close friends and I became preoccupied with an idea. It emerged from a dissatisfaction with the scope of localized media outlets, a desire to create a medium which might encourage constructive discussion, and showcase creativity. This concept took
Shed Island is an independent music festival taking place August 14-17th in St. John’s, Newfoundland. I sat down with promoters Glen May and Micah Brown to find out a little bit about the origin of the festival, and the community from which it stems.
When I was asked if I would be interested in contributing a piece about a band from New Brunswick, my past and future home province, the first band I thought of was Wooden Wives. I decided to think on the matter for a while, consider some of the other great bands that began or are based out of N.B. (what up, Mouthbreathers?) but, even with this extra thought and consideration, I always came back to Wooden Wives.
In 2008 Aaron Powell released his first album there’s a spirit there’s a soul by himself in his Glovertown bedroom. The solo-experiment, which is now called Fog Lake, is an evolving and intriguing lo-fi pop project and band now based in St. John’s, Newfoundland.
In these wee hours of Wednesday, August 6th the city of St. John’s anxiously awaits the go-ahead of what will mark the 196th anniversary of the Royal St. John’s Regatta — North America’s oldest annual sporting event. Affectionately nicknamed “The Regretta” by some, the city pauses it’s daily operations to make way for Quidi Vidi’s lakeside festivities.
Secret East is a platform not only committed to covering Atlantic Canadian arts and culture, but to weave an ever-growing network of originality and creativity across the Atlantic region. This is a labor of love, and our small start-up team can’t do it alone.